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How to Edit The Sample Scene

How the Free Sample Scene Should Be Editing

About the Scene

The EditStock free sample scene is an excerpt from the short film Handicapped John (watch the full film at the bottom). We've given you three shots from scene 21 to put together. While there is more footage in the full scene, the goal of the free sample is to practice using coverage. Coverage is the sum of all the different camera angles used to shot a scene.   

You can also watch how other people have cut the scene on our cuts worth watching blog.

Watch the Tutorial


Overview: Great editors cut scenes in their mind before they make a single cut in their timelines. In this tutorial I'll explain how that is possible. I'll also give you some great tips on how to edit the free sample scene. Download the sample footage free on our landing page. Tutorial by Misha Tenenbaum.

Topics Covered:

  • When to use wide shots vs close ups.
  • What is the actor "business".
  • What is editing claustrophobia.

Using Close Ups

Close ups are mostly used to express emotion. When we want to see the panic in John's face, the twitch in his eye, or feel him comprehending what a big event this is, we need to see it in the close up. 

HCJ Close Up Shot

Good Use of the Close Up

  • John's eye twitches
  • John and Levi tell Jokes
  • John grabs Levi's face

Using Wide Shots

Wide shots are mostly used to show big, physical actions. When people stand up, sit down, dive for cover - these are good times to use the wide shot. When actors make big gestures with their hands (known as the actor's business) this is another good use of the wide. If you use a close up when you should use a wide shot your audience may feel claustrophobic

Wide Shot

Good Use of the Wide Shot 

  • Running down the hallway
  • The stretcher rolling by
  • Leaning over the cubical wall
  • Getting up to go see the Janus on the stretcher

Using Pop Cuts

One mistake new editors make is overusing pop cutsA pop cut is when you cut from a wide to a close up or vice versa on the same person without the camera moving left or right, in other words without the camera changing angles.  


In order for editing to be invisible at least to some degree cuts need to look like how people see things in real life with their eyes. We can't see fancy transitions like wipes happening in front of us, so we don't use those effects when cutting from one shot to the next.

Whenever you want to pop, think first about using a reaction shot from the other person instead. 

What makes not using pop cuts so hard is that they often work. In the example above one could certainly make the argument that these are good cuts. I'm not here to tell you they are wrong. However, you should know they they create a slightly different feeling for the viewer and should not be over used. If you want to try using them I recommend doing it once per scene, if that. 


The goal of EditStock is to teach you editing bit by bit, through real world projects which you edit at your own pace.  Each project has it's own lessons, and no one project encompasses them all.

The next step for you is to pick a project which interests you from our library and get to work. You'll work on editing skills like picking performances, building story string outs, and speed ramping action. We are excited for you to start your journey here with us.

Watch the full film Handicapped John


  • Nick

    Great beginners lesson delivered in a clear way with excellent access to resources. Thanks!

  • Onix Perez

    Very entertaining!

  • Esrajul Haque Efti

    Nice one !

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